Langston Hughes and Claude McKay’s influence of Baraka, MLK Jr and Malcom X
DOI:
https://doi.org/10.47604/jpcr.3174Keywords:
Harlem Renaissance, Hughes, McKay, Legacy, Baraka, MKL, Malcolm XAbstract
Purpose: The aim of the article below is to show that their influence on future Black writers such as Leroy Jones (Amiri Baraka) and the Black Art Movement of the 1960s as well as the leaders of movements protesting Black oppression such as Martin Luther King Jr and Malcolm X is undeniable.
Methodology: This study adopted a combination of methods such as archival research, discourse analysis, poetry analysis and the review of biographies and literary critics. The study is a deepening of a section of our PhD dissertation entitled Black Nationalism in the Poetry of Langston Hughes and Claude McKay, A Comparative Approach defended in 2015 at Dakar University.
Findings: The poems by Langston Hughes and Claude McKay, dealt successfully with the complexities of African American identity and the struggle to end systemic racism and segregation. These themes in fact continues to inspire contemporary African-Americans authors such as the Pulitzer Prize for Poetry winner in 2020 Jericho Brown whose collection entitled 'The Tradition,' addresses the issues of racial equality and social justice and violence in America. Brown asserts that he cannot imagine how he would have ever known to write his win poems had Claude McKay not written his. (Brown, 2022)
Unique Contribution to Theory, Practice and Policy: The writings of Hughes and McKay decrying the violence and brutality on African-American resonate deeply with the themes of police brutality and abuses which Black Lives Matter movement has been so staunchly denouncing.
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References
Baraka, Amiri, The Selected Poems of Amiri Baraka/Leroy Jones William Morrow & Co 1979
Barksdale, Richard K Langston Hughes: The poet and his critics Unknown Binding – January 1, 1993
Brown, Jericho (2022) Jericho Brown on Claude McKay’s Subversive, Foundational Poems of Love and Protest, https://lithub.com/jericho-brown-on-claude-mckays-subversive-foundational-poems-of-love-and-protest/ (Allen, 2008)
Emanuel, James A. Langston Hughes. (Traduit de l’Américain par Jacques Eymesse) Paris : Les Editions Inter-nationales, 1970.
Han Yan; Variations of Jazz, The Legacy and Influence of Langston Hughes on Amiri Baraka’s views of African-American music and the function art, a thesis presented at the Department of English, Modern Languages and Journalism of the Emporia State University, May 2011.
Hughes, Langston The Collected Poems of Langston Hughes, ed. Arnold Rampersad, Associate ed. David Roessel, New York, Vintage Books, 1994
McKay, Claude Complete Poems ed, William J. Maxwell, Illinois, University of Illinois Press, 2004,
Onwuchekwu Jemie; Langston Hughes: An Introduction to the Poetry (Columbia Introductions to Twentieth Century American Poetry)
Salaam Kalamu, A Conversation with Amiri Baraka in Modern American Poetry; http://maps-legacy.org/poets/a_f/baraka/salaam.htm
Tillery, Tyrone. Claude McKay: A Black Poet's Struggle for Identity. Amherst: University of Massachusetts P, 1992.
Tolson, Melvin B. “Claude McKay’s Art” in Poetry 83 (February 1934) pp. 287-90
Wagner Jean : Les Poètes nègres des Etats-Unis. Le sentiment racial et religieux dans la poésie, de P. L. Dunbar à L. Hughes (1890- 1940) Paris
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Copyright (c) 2025 Papa Amady Ndiaye, PhD
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