From Studio to Runway: Ghanaian Fashion Designers' Creative Processes

Authors

  • Ophelia Ohenewa Mefful (PhD)
  • Sheila Naa Tetteorkor Clottey
  • Laura Esinam Kattah

DOI:

https://doi.org/10.47604/ijfd.2582

Keywords:

Inspiration, Creative Process, Runway, Fashion, Portfolio, Designers, Fabrics

Abstract

Purpose: The fashion scene in Ghana is a dynamic fabric knit together with creative designs. We explore the inspirations and creative processes of Ghanaian fashion designers as they get from studio to catwalk. The objective of the study is to investigate and clarify the inspirations and creative processes that propel Ghanaian fashion designers from ideation to catwalk presentation.

Methodology: The paradigm used was a qualitative research approach. This includes observations, interviews, and portfolio analysis of fifteen (15) selected fashion designers in Sekondi Takoradi Metropolis.  The collected data were analyzed using thematic analysis.

Findings: The findings of the research indicate the diverse range of elements influencing Ghanaian fashion designers' creative processes. This creative journey reflects not only the designers' technical expertise but also their profound connection to their cultural heritage and their ability to translate inspiration into tangible works of art. While the runway remains a traditional showcase for designers, leveraging digital platforms can extend their reach and visibility. In recommendation, designers can explore virtual fashion shows, live-streaming events, or interactive online galleries to showcase their collections to a global audience. Embracing digital innovation can amplify brand exposure and drive engagement with fashion enthusiasts worldwide. Ghanaian designers should collaborate with international platforms, this can help them gain recognition and share their culture with the world.

Unique Contribution to Theory, Practice and Policy: The study also contributes to theories of creative processes within design disciplines shedding light on the systematic stages involved in fashion design. By applying entrepreneurship theory, we can analyze how Ghanaian designers identify market opportunities, innovate in design, and create value for their businesses. This was validated in the study where designers conceptualize, iterate, and refine their ideas, thus contributing to the broader discourse on creative practice. From a practical standpoint, this study offers valuable insights for both emerging and established fashion designers, particularly those operating within culture-based industries. The study contributes to theory by documenting the systematic creative processes employed by Ghanaian designers, it provides a roadmap for other practitioners to follow, helping them enhance their design practices and navigate the complexities of the fashion industry.

Downloads

Download data is not yet available.

References

Agyemang, K. (2017). Fashioning Identity: Ghanaian Designers and the Politics of Dress. African Arts, 50(1), 32-45.

Adomako, R. (2019). Integrating Adinkra Symbols and Kente Patterns into Modern Ghanaian Fashion Design: A Creative Perspective. Journal of African Cultural Studies, 31(3), 289-305.

Bowen, G. A. (2009). Document Analysis as a Qualitative Research Method. Qualitative Research Journal, 9(2), 27-40.

Brydges, T., & Pugh, A. (2021). Entrepreneurial Identities and the Cultural Economy: A Comparative Analysis of Fashion Designers in London and Berlin. International Small Business Journal, 39(5), 438-460.

Cumberbatch, T. S., & Bannerman, P. L. (2012). The Fundamentals of Fashion Management. A&C Black.

Dzitse, P., Etornam, E., & Mary, N. (2023). An Overview of the New Global Fashion System and Its Impact on the Ghanaian Fashion Industry. Ghana Journal of Geography, 15(1), 57-75.

Francesca, S., & Joanne, P. (2019). Exploring Motif Boards: A Visual Tool for Creative Design. Fashion Theory, 23(3), 371-388.

Gill, R. (2020). Mediated Intimacy and Postfeminism: A Discourse Analytic Examination of Sex and Relationships Advice in a Women's Magazine. Feminist Media Studies, 20(3), 297-313.

Hammersley, M., & Atkinson, P. (2007). Ethnography: Principles in Practice (3rd ed.). Routledge.

Kvale, S., & Brinkmann, S. (2009). Interviews: Learning the Craft of Qualitative Research Interviewing (2nd ed.). Sage.

Majeed, K. H., Nortey, A. J., & Asare, J. K. (2021). Ghanaian Traditional Textiles in the Contemporary Fashion Industry: The Quest for Global Acceptance. International Journal of Fashion Design, Technology and Education, 14(1), 89-102.

Sarpong, D., Owusu, G. S., & Kusi, E. (2023). The Decline of the Garment Industry in Ghana: A Historical Perspective. Journal of Business History, 65(3), 449-469.

Solomon, M. R., Bamossy, G., Askegaard, S., & Hogg, M. K. (2021). Consumer Behaviour: A European Perspective (7th ed.). Pearson.

Tungate, M. (2014). Fashion Brands: Branding Style from Armani to Zara (3rd ed.). Kogan Page.

Vijayendra, R., & Walton, M. (2004). Culture and Public Action. Stanford University Press.

Downloads

Published

2024-05-29

How to Cite

Mefful, O., Clottey, S., & Kattah, L. (2024). From Studio to Runway: Ghanaian Fashion Designers’ Creative Processes. International Journal of Fashion and Design, 3(2), 1–14. https://doi.org/10.47604/ijfd.2582

Issue

Section

Articles